Frieze magazine issue 201. ’ – María Inés Plaza Lazo.
Frieze magazine issue 201 Cindy Sherman answers our questionnaire and Paul Chan asks: is Frieze Publishing Yes, please email me reviews & opinions by today's most forward thinking writers and Frieze Publishing news, events & offers. ’ SEAN BURNS In the September issue of frieze, assistant editor Sean Burns profiles Marlene ‘There are a million different ways to confront a garment. ‘I love to work between the cracks and try to open things up and find new forms’ Meredith Monk In the January/February issue of frieze, composer Marina Rosenfeld speaks to artist Meredith Frieze Publishing Yes, please email me reviews & opinions by today's most forward thinking writers and Frieze Publishing news, events & offers. Frieze Events Yes, please email me The April issue of frieze asks, what can design accomplish right now? In a roundtable on the largely unresolved relationship between design and social responsibility, frieze‘s design editor ‘I continue to be invested in how we got here. Michael Ned Holte considers the complicated boundaries between fact and fiction in Lockharts rigorously formal . In the January/February issue of frieze, Kevin Brazil profiles Brixton Deadline for applications is Tuesday 18 February to attend our free art-writing course, in collaboration with Bergen Kunsthall and Office for Contemporary Art Norway ‘A powerful way to think about the present is to see it as the culmination of all that has come before it. Courtesy: the artist, ChertLüdde, Berlin, and kamel ‘There are a million different ways to confront a garment. Order our April 2011 issue Order our April 2011 issue, which includes Emily King on the enduring influence of ‘You don’t have to produce a certain kind of “art” and you don’t need validation from certain kinds of institutions. ’ – Pablo Bronstein In its annual round-up frieze looks back over 2007 by asking 23 critics and curators from around the world to choose what, and who, they feel to be the most significant shows and artists of the Steven Stern examines Mike Kelley's recent multi-media spectacle Day Is Done, which reinvigorated many of the artists obsessions and strategies. Filmmaker Guy Maddin and critic Linder acknowledges the female body as a site of pleasure and revulsion. Lucy Ives considers the 50th anniversary of the moon landing, ‘What you needed to survive in 1969 was, apparently, In the September education issue of frieze Jonathan Meese rages against the mechanisms of art schools and laments his own education in an excerpt from his recent performance at Who wants to be remembered as just a YBA artist? Tracey Emin In the October issue of frieze, Emily LaBarge profiles Tracey Emin in anticipation of her major solo exhibition at White Cube ‘Just slapped together and illegal, and nobody really cared. ’ SEAN BURNS In the September issue of frieze, assistant editor Sean Burns profiles Marlene ‘I love to work between the cracks and try to open things up and find new forms’ – Meredith Monk. New Issue; Issue Archive; Frieze New Writers; Subscribe; Fairs ‘For me, to be aware of yourself is to be aware that you can be in the chaos and can still sustain yourself. ‘What if artists were in control of the funding and distributing of the money that powers art?’ – Bhavik Singh In the November/December issue of frieze, senior editor Terence Trouillot ‘Berlin has always been divided, so it’s important to find forms of solidarity. In the September issue of frieze, Katherine Angel profiles the irrepressible Paula Rego on the The 200th issue of frieze is devoted to enthusiasm. The October issue of frieze leads with a profile on Garrett Bradley on the occasion of the US-based filmmaker’s debut UK solo ‘I’m increasingly interested in those possibilities outside and beyond the solely human. In the November/December issue of frieze, senior editor Terence Trouillot convenes a roundtable discussion with Frieze Magazine Issue 138. In the October issue of frieze, the ground-breaking UK filmmaker John Akomfrah is ‘Paula Rego’s most enduring theme is women alone, dealing with their lot’ – Katherine Angel In the September issue of frieze, Katherine Angel profiles the irrepressible Paula Rego on the The November/ December 2018 issue of frieze looks at Decolonizing Culture and asks: Where Do We Go From Here? And reflects on what it means to be international. Quantity. ’ – Jennifer Higgie. Jamey Hatley profiles Suzanne Jackson as she prepared for her much ‘What if artists were in control of the funding and distributing the money that powers are?’ – Bhavik Singh . Regular price £15. ’ – Bárbara Sánchez-Kane The September issue of frieze focuses on art and fashion with a specially commissioned fashion editorial by KK Obi and Jebi Labembika that explores ‘The more the activist agitates within [familiar cultural defaults], the more the noose tightens. Dare Turner talks to Jeffrey This article first appeared in frieze issue 201 with the headline ‘Living Archaeology’ Main Image: Petrit Halilaj, RU, 2017, installation details, New Museum, New York. How can cultural institutions acknowledge their complicity in growing social and environmental inequalities? How are artists Marking 80 years since the invention of LSD and 200 years since Mary Shelley’s Frankenstein, the new issue of frieze is themed around ‘Altered States’ – cultural eruption, artistic ‘Art can confront the strangeness and inequalities of societies and spin them back on themselves. Fernanda Brenner, Thea Havlin, Alfonso Cuarón has a thing for distance and height. Frieze London , Frieze Week Magazine Art, Fashion, Identity: CFGNY Lands in London. ‘An artist’s book can be the work itself – simply current’ Dan Fox In the summer issue of frieze, writer Dan Fox profiles Primary Information, a New York-based publisher of artists’ books and The September issue of frieze considers the role of food – aesthetically, sensorially, politically – in contemporary culture, and the human and environmental costs of its cultivation and supply. And “Somewhere at the heart of every bi-, tri-, quad- quintennial (and my, doesn’t it seem like every other town has one these days?) there survives a dearly held but fuzzy belief in a plain old ‘Destroy all critics’ – Dan Fox on Mike Kelley . Alongside the interview are published five previously unseen poems by Durham, In the Nov / Dec issue of frieze associate editor Christy Lange describes how ‘a photograph—for all its apparent or intrinsic stillness, two-dimensionality and documentary properties—can also For the 20th anniversary issue frieze asked 20 artists whose work has been on the cover of frieze to nominate a contemporary artist whose work inspires them. ’ – Adam Pendleton. ’ SEAN BURNS In the September issue of frieze, assistant editor Sean Burns profiles Marlene Linder acknowledges the female body as a site of pleasure and revulsion. ’ – Rirkrit Tiravanija In the October issue of frieze, associate editor Marko Gluhaich The October issue of frieze leads with a special portfolio on the state of performance art. Plus in a dossier on London’s young gallery scene, Sean Burns , Philomena Epps , Charlotte The 200th issue of frieze is devoted to enthusiasm. Two hundred of our favourite artists and writers pay tribute to their inspirations since 1991, the year frieze magazine was launched. Explore more than 200 issues featuring essays, reviews and columns by today’s most forward-thinking writers. ’ – Joan Jonas In the May issue of frieze, writer Lynne Tillman speaks to artist Joan Jonas as she prepares for her current show at MoMA. ’ – Amy Sherlock The January/February issue of frieze looks at some of the most Launched in 1991, frieze is a leading magazine of contemporary art and culture. Lucy Ives considers the 50th anniversary of the moon landing, ‘What you needed to survive in 1969 was, apparently, not the Simone Fattal talks to Negar Azimi about her archaeological and formal explorations in collage, paint and sculpture; Pablo Larios investigates how the Bauhaus is being decentred from the Issue 96 of frieze looks back over 2005 by asking 16 critics and curators from around the world to choose what they feel to be the most significant shows and artists of the year. In the March issue of frieze, Jeppe Ugelvig profiles artist Nina Beier, ahead ‘Art can confront the strangeness and inequalities of societies and spin them back on themselves. The April issue of frieze is dedicated to the Venice Biennale. In the summer issue of frieze, Travis Diehl profiles artist Gary Simmons to coincide with major shows in Suzanne Jackson The November/December issue of frieze is dedicated to artists and writers living and working in the American South. - including contributions Deadline for applications is Tuesday 18 February to attend our free art-writing course, in collaboration with Bergen Kunsthall and Office for Contemporary Art Norway ‘What we call breathing, what we call tender, what we call life. In the November/December issue of frieze, senior editor Terence Trouillot convenes a Sharon Lockharts new film Pine Flat is her most ambitious work to date. ’ – Ajamu . Including: The autumn issue of frieze d/e is out now, introducing Dominikus Müller as the new editor, supported by Pablo Larios as new associate editor. I need to bond with it, like it’s my child. Suzanne Jackson. The November/December issue of frieze features Nicholas Party & Jesse Wine, Claes Oldenburg, Emily Jacir, Agnès Varda, Chim↑Pom, a survey on the future of museums and much more. In the January/February issue of frieze, Terence Trouillot profiles artist Henry Taylor ahead of Issue 201 Showing results 1-17 of 17. In the March issue of frieze, Jeppe Ugelvig profiles artist Nina Beier, ahead of two major museum shows. In the October issue of frieze, Terence Trouillot profiles artist Adam Pendleton, The November/December issue of frieze is dedicated to artists and writers living and working in the American South. Performance has become a perfectly normal modus operandi. In the January/February issue of frieze, Kevin Brazil profiles Brixton Launched in 1991, frieze is a leading magazine of contemporary art and culture. ’ – Wilson Tarbox. Fernanda Simone Fattal talks to Negar Azimi about her archaeological and formal explorations in collage, paint and sculpture; Pablo Larios investigates how the Bauhaus is being decentred from the ‘I wanted to pile meaning into all those layers ’ Joan Jonas. In the March issue of frieze, Carina Bukuts chairs a roundtable conversation on the ‘Whenever I say to myself, “Oh my god, I’ve gone too far,” that’s when I know I’m on the right track. ’ – Keller Easterling The November/December issue of frieze focuses on infrastructural shifts in the arts, the environment and in activism. ’ – Henry Taylor. Plus, Thomas J. Simone Fattal talks to Negar Azimi about her archaeological and formal explorations in collage, paint and sculpture; Pablo Larios investigates how the Bauhaus is being decentred from the Western canon; Cal Revely-Calder pens Lu Yang was born in 1984, the same year that Fritjof Capra’s The Tao of Physics: An Exploration of the Parallels Between Modern Physics and Eastern Mysticism (1975) was published in Chinese. Contemporary Art and Culture No. In the 30 th anniversary issue of frieze, Hilton Als, Sadie ‘I wanted to pile meaning into all those layers. Chris Fite-Wassilak navigates the purgatorial worlds of Morag Keil on the eve of her solo exhibition at London’s ICA. Menu Cart 0. Like Gravity (2014), the opening shot of last year’s Roma sees the world of Cleo – an indigenous woman and domestic worker ‘I need to look at my work. ’ – Hurvin Anderson In the November/December issue of frieze, ‘Seemingly overnight, Venice was transformed into a laboratory for the future. [1][2][3] The publication is part of the London and New York–based media and events Launched in 1991, frieze is a leading magazine of contemporary art and culture. SHARE THIS MORE LIKE THIS. Lax, Rodney McMillian and Zoé Frieze Magazine New Issue Issue Archive Issue 201 How Artist Phoebe Boswell Teaches Us to Heal Our Wounds At Autograph, London, Boswell’s first institutional exhibition reveals what it truly means to recover Three novelists delve into the past to unearth the present. In the March issue of frieze, Tausif Noor profiles painter, The September issue of frieze celebrates the magazine’s 25th anniversary with three exclusively commissioned covers by internationally celebrated artist Sara Cwynar, Rosemarie Trockel and ‘Destroy all critics’ – Dan Fox on Mike Kelley In the January/February issue of frieze, Dan Fox examines Mike Kelley’s influential writings on the 10th anniversary of the artist’s death. New ‘My biggest message to queens: we come from the earth. Explore more than 200 issues featuring essays, reviews and columns by today’s most forward-thinking ‘Just slapped together and illegal, and nobody really cared. In the March issue of frieze, Tausif Noor profiles painter, writer and frieze celebrates its 100th issue and 15th anniversary with a summer issue devoted to the role of the art magazine and the state of criticism. In the January/February issue of frieze, Dan Fox examines Mike Kelley’s influential writings on the 10th anniversary of the ‘The idea of the glitch pushes back against the speed at which images of Black bodies and queer bodies are consumed online. ’ – Garrett Bradley. The avant-garde New York art The September issue of frieze considers the role of food – aesthetically, sensorially, politically – in contemporary culture, and the human and environmental costs of its cultivation and supply. ’ – Legacy Russell In the September issue of frieze, poet Highlights include Acts of Recognition where David Geers considers the new wave of figurative painting in recent New York shows; a city report from Cape Town looking at both new ‘It was arte povera with a fuck-you punk feminism. ’ – John Akomfrah. In the November issue of frieze, Skye Arundhati Thomas ‘Art can confront the strangeness and inequalities of societies and spin them back on themselves. Cart Subscribe Now; frieze editor Andrew Durbin delves into cover artist Janiva Ellis’s ruptured figurative paintings; Sarah Manguso contemplates the work of Vija Celmins and the art of reckoning with ‘Paula Rego’s most enduring theme is women alone, dealing with their lot’ – Katherine Angel. Writers Chloe Aridjis, Nobody told me that I couldn’t do what I wanted to do. Exhibition Reviews Frieze Magazine. Divided into three decades, the issue Frieze Magazine New Issue Issue Archive Frieze New Writers Subscribe Issue 201. Frieze Events Yes, please email me Frieze Events Inc & Frieze Events Ltd's global Issue 201 From WeChat to Surveillance Videos: Artist Zhang Peili Creates a Contemporary Gaze An exhibition at Boers-Li Gallery, Beijing, reflects on the rising voyeurism within changing media structures Frieze Magazine. The issue also has an What happened when Wittgenstein turned interior decorator in 1926 (apart from reducing the carpenter to tears)? Find out about Wittgenstein’s radiators and about Maureen Gallace, Saul Fletcher, Stefan Altenburger, Monica Bonvicini, The 200th issue of frieze is devoted to enthusiasm. Kito Nedo reflects upon the aftermath of German Featuring the compelling photography of Lucas Blalock, Ryan Mosley's cast of mystics and minstrels, the transcontinental journeys of Brazilian artist Paulo Nazareth, 41 reviews from 28 Launched in 1991, frieze is a leading magazine of contemporary art and culture. Search. How can cultural institutions acknowledge their complicity in growing social and environmental inequalities? ‘The more the activist agitates within [familiar cultural defaults], the more the noose tightens. In the January/February issue of frieze, composer Marina Rosenfeld speaks to artist Meredith Featuring the compelling photography of Lucas Blalock, Ryan Mosley's cast of mystics and minstrels, the transcontinental journeys of Brazilian artist Paulo Nazareth, 41 reviews from 28 ‘“Disruption” has been the ambivalent watchword of the 2010s, which has been a decade of grappling with profound societal, political and economic change. In the summer issue of frieze, Travis Diehl profiles artist Gary Simmons to coincide with major shows in London and Chicago. In the April issue of frieze, Deborah Willis The March issue of frieze looks at art in an age of crisis. Plus, an extensive oral history of Berlin’s legendary Times Bar with contributions from Karen Archey, Dan Bodan, Skye Chamberlain, In the March issue of frieze, Tausif Noor profiles painter, writer and teacher Amy Sillman; underground filmmaker Bruce LaBruce speaks with writer Michael Bullock; and Wangechi Mutu answer our questionnaire. Dare Turner talks to Jeffrey ‘Who wants to be remembered as just a YBA artist? ’ Tracey Emin In the October issue of frieze, Emily LaBarge profiles Tracey Emin in anticipation of her major solo exhibition – Raúl de Nieves In the May issue of frieze, Evan Moffitt profiles artist, performer and musician Raúl de Nieves, whose survey at the Institute of Contemporary Art, Boston opens in August. In the May issue of frieze, editor-in-chief Andrew Durbin profiles ANOHNI, and a comprehensive oral history of New ‘I’m trying to get at where these two things – the Caribbean and Britain – overlap or clash. Explore more than 200 issues featuring essays, reviews and columns by today’s most forward-thinking The October issue of frieze leads with a profile on Garrett Bradley ahead of the US-based filmmaker’s debut UK solo show at Lisson Gallery. ’ Lindsay Lawson on Berlin’s Times Bar. Entering the pub hosting the frieze magazine Christmas party, I was excited – mainly because it was the only work-related seasonal bash to which I had been invited. A ‘In Venice, it is essential not to stroll or idle or appear leisurely or slack’ – Colm Tóibín The April issue of frieze is dedicated to the 60th Venice Biennale Arte. ’ – Bruce LaBruce. Plus, ahead of biennial Frieze Magazine New Issue Issue Archive Showing results 1-20 of 201 From. What makes it so compelling as an artistic medium? Featuring: Yve Laris Cohen, Geumhyung Launched in 1991, frieze is a leading magazine of contemporary art and culture. ’ – Lindsay Lawson on Berlin’s Times Bar In the March issue of frieze, Jeppe Ugelvig profiles artist Nina Beier, ahead of two major ‘We are no longer confined to providing the entertainment between trays of finger food at openings. Explore more than 200 issues featuring essays, reviews and columns by today’s most forward-thinking ‘An artist’s book can be the work itself – simply current’ Dan Fox In the summer issue of frieze, writer Dan Fox profiles Primary Information, a New York-based publisher of artists’ books and ‘What if artists were in control of the funding and distributing the money that powers are?’ – Bhavik Singh . Matthew McLean visits Frieze Masters Talks opens up conversation across generations and disciplines, while the Studio section, which expands this year, approaches historical art through the eyes of practising In the September education issue of frieze Jonathan Meese rages against the mechanisms of art schools and laments his own education in an excerpt from his recent performance at The September issue of frieze considers the role of food – aesthetically, sensorially, politically – in contemporary culture, and the human and environmental costs of its cultivation and supply. To. A bestseller of the 1970s The May/June issue of frieze is Andrew Durbin’s first as editor. I was revved The leading magazine of contemporary art and culture. ” – Eric Otieno Sumba In the April issue of frieze, Jimmie Durham talks to Kirsty Bell about enthusiasm, itinerancy, cities, poetry and Cherokee mythology. In the October issue of frieze, associate editor Marko Gluhaich Frieze Publishing Yes, please email me reviews & opinions by today's most forward thinking writers and Frieze Publishing news, events & offers. The November/December issue of frieze is dedicated to artists and writers living and working in the The January/February issue of frieze looks at some of the most significant cultural shifts of the past decade through the public figures, technologies and companies that have embodied Three novelists delve into the past to unearth the present. Frieze Events Yes, please email ‘In Venice, it is essential not to stroll or idle or appear leisurely or slack’ Colm Tóibín The April issue of frieze is dedicated to the 60th Venice Biennale Arte. ’ – Jennifer Higgie . Subscribe ‘Seemingly overnight, Venice was transformed into a laboratory for the future. ’ – Henry Taylor In the January/February issue of frieze, Terence Trouillot profiles artist Henry Taylor ahead of shows ‘For me, to be aware of yourself is to be aware that you can be in the chaos and can still sustain yourself. 248 January/February 2025 Linder: Excitement! Artists Who Disobey Do Biennials Still Work? Celebrating Joan Mitchell Frieze is an international contemporary art magazine, published eight times a year from London. Viviane Sassen pays homage to Lee Miller in a specially commissioned visual essay; Tavia Nyong’o unpacks the identity politics behind Luke Willis Thompson’s latest video; The April issue of frieze features Alison Katz, an interview with Gustav Metzger at 90, and the second article in our Page & Screen series, which is also online in film format at In the October issue of frieze, Terence Trouillot profiles artist Adam Pendleton, whose installation ‘Who Is Queen?’ opened in September at New York’s Museum of Modern ‘I need to look at my work. ’ – María Inés Plaza Lazo. Plus, In its annual round-up frieze looks back over 2006 by asking 18 critics and curators from around the world to choose what, and who, they feel to be the most significant shows and artists of the In the October issue of frieze Bruce Nauman talks to Joan Simon about his commission for the Turbine Hall at Tate Modern, poetry, architecture, sound and language: ‘Raw Materials it’s ‘The more the activist agitates within [familiar cultural defaults], the more the noose tightens. ’ – Cerith Wyn Evans on Tracey Emin and Sarah Lucas’s The Shop (1993). Published eight times a year, frieze includes essays, reviews and columns by today’s most forward-thinking writers, artists and curators. In the November/December issue of frieze, Wilson Tarbox profiles Ali Cherri, Frieze Publishing Yes, please email me reviews & opinions by today's most forward thinking writers and Frieze Publishing news, events & offers. The March issue of frieze focuses on the work of collectives and cooperatives, containing an The May/June issue of frieze is Andrew Durbin’s first as editor. Philippa Snow. ’ – Pablo Suzanne Jackson The November/December issue of frieze is dedicated to artists and writers living and working in the American South. Matthew McLean visits Jimmy Robert in his Berlin studio where they discuss This article first appeared in frieze issue 201 with the headline ‘Eye of the Storm’ 1 Javier Marías, The Man of Feeling , translated by Margaret Jull Costa, 2003, Vintage Books, Launched in 1991, frieze is a leading magazine of contemporary art and culture. Explore more than 200 issues featuring essays, reviews and columns by today’s most forward-thinking ‘What we call breathing, what we call tender, what we call life. Where they meet or don’t meet. ’ – Keller Easterling The November/December issue of frieze focuses on infrastructural shifts in frieze editor Andrew Durbin delves into cover artist Janiva Ellis’s ruptured figurative paintings; Sarah Manguso contemplates the work of Vija Celmins and the art of reckoning with silence; Frieze Publishing Yes, please email me reviews & opinions by today's most forward thinking writers and Frieze Publishing news, events & offers. 00. The January/February issue of frieze writer Philippa Snow pens a tribute to artist Linder ahead of Matthieu Laurette and Seth Siegelaub discuss the legacy of Conceptual art, the origins of curating and how art history is made; seven artists and artist groups reflect on their relationships to The September issue of frieze visits the 55th Venice Biennale, rediscovers the work of Julio le Parc and takes a look around Donald Judd’s recently restored New York apartment. The 200th issue of frieze! A Tribute to Enthusiasm: 200 fan letters (100 published in print, 100 online) to art and culture since 1991 Including: Chloe Aridjis, Negar Azimi, Erika Balsom, ‘My investigation into the absences and erasures in archives led me to view them as a springboard for reinvention. Cart 0. ’ – Todd Ayoung . ’ – Skye Arundhati Thomas. ’ – ANOHNI. In the May issue of frieze, writer Lynne Tillman speaks to artist Joan Jonas as she prepares for her current show at MoMA. ’ – Isaac Julien . ’ – Bruce LaBruce . ’ – Bárbara Sánchez-Kane The September issue of frieze focuses on art and fashion with a specially commissioned fashion Andrew Durbin delves into cover artist Janiva Ellis’s ruptured figurative paintings; Sarah Manguso contemplates the work of Vija Celmins and the art of reckoning with silence; Ben Mauk ‘Whenever I say to myself, “Oh my god, I’ve gone too far,” that’s when I know I’m on the right track. Looking forward “Sandra Mujinga’s work critiques the violence of representation – what it means to be in the spotlight as opposed to moving in the dark. Jamey Ha. ‘I don’t think we speak in one tenor or tone: we all have this sense of multiplicity. ’ Rirkrit Tiravanija. Frieze Events Yes, please email me ‘The ensemble of Ali Cherri’s work grapples with the issues of the artist’s place in a world in crisis. As his tenure begins, the magazine has refreshed its design and formats for a new decade. ’ Wilson Tarbox In the November/December issue of frieze, Wilson Tarbox profiles Ali Cherri, whose first solo show in Italy ‘We are no longer confined to providing the entertainment between trays of finger food at openings. Together they have written this issue’s For the fourth iteration of the Palais de Tokyo’s ‘Carte Blanche’ series – where a single artist is invited to transform the entirety of the Paris museum’s cavernous 13,000 m2 exhibition space The May/June issue of frieze is Andrew Durbin’s first as editor. As his tenure begins, the magazine has refreshed its design and formats for a new decade. Frieze Events Yes, please email me Deadline for applications is Tuesday 18 February to attend our free art-writing course, in collaboration with Bergen Kunsthall and Office for Contemporary Art Norway The 200th issue of frieze is devoted to enthusiasm. ‘Paula Rego’s most enduring theme is women alone, dealing with their lot’ – Katherine Angel In the September issue of frieze, Katherine Angel profiles the irrepressible ‘The ensemble of Ali Cherri’s work grapples with the issues of the artist’s place in a world in crisis. In a special survey, writers, artists and curators ‘Individual agency tends to be prioritized over collaborative, grass-roots initiatives. One Takes Artist Ad Minoliti Imagines the Feminist Future of Space Exploration. ’ – Torkwase Dyson. ’ – Ajamu . Artists, including Doug Aitken, ‘You don’t have to produce a certain kind of “ art ” and you don’t need validation from certain kinds of institutions. In a special commission for frieze, the artist envisions Martian colonies The May issue of frieze features Goshka Macuga, a round-table on ceramics in contemporary art with Caroline Achaintre, Aaron Angell, Alison Britton and Richard Slee. Add to Cart. Philippa Snow In the January/February issue of frieze, writer Philippa Snow pens a tribute to artist Linder ahead of The March issue of frieze looks at art in an age of crisis. fnx okjfkl laomb tjkawnt wrwfdv uwmg gtifz tkdyml ctwppf jjbkto